( Log Out / They are genuinely confused about their own actions, and suspect that somebody educated has the answer, but meanwhile there is a fundamental and unresolvable problem: the Jets like their gang, and the people in authority don’t, regardless of what etiological theory is in play. Urban Dictionary and our advertising partners set cookies on your computer to improve our site and the advertisements you see. It ruins lives. SNOWBOY (Spoken) That's a touchin' good story. View author archive; Get author RSS feed ; Most Popular Today 1 Is this really a photo of Abraham Lincoln on … Hopefully, though, it will help to justify the need to keep the question open, even in regards to what appear to be the very conditions of the work of questioning that we do. Change ), Gee, Officer Krupke: Disillusionment with Reflexivity, I’m McLovin It: Sexuality in the Age of Advertising. Terms of Use It is, by comparison, almost restful to turn to the besetting problems of phenomenology and critique.). Your California Privacy Rights First of all, if I become conscious of something, I am perfectly likely to claim it as my own, forever — as Jean Genet did when he said he would become what crime made of him, or as cigarette smokers do when they finally talk openly about being addicted to their smokes. It is true that scientists do not always peer closely into the motivating forces behind the scientific method, and it is also true that psychological and historical analyses of the scientific method have not altered it. The fact that the Jets like being troublemakers is not actually a disproof of any theory another person might entertain about their crimes; it’s merely a disproof of the idea that a conversation can ever be so self-aware as to lack an unconscious element — here, a real and perpetually deferred dispute about desirable behavior — or that self-awareness is by itself sufficient to transform human beings or societies. They are simply creating a different, and possibly less hostile, “clearing” (Martin Heidegger’s term, from the Greek aletheia) in the name of knowledge. The exchange begins (albeit after it began) around about here — though please note that the exchange takes place in the middle of another mostly unrelated debate about sociology and (post)structuralism. Boy who has eaten nothing but sausages his whole life has been cured, Olympian rumored to have given birth to Putin's twins vanishes: report, Toddler dies in hot car after dad refused to let cops break window, Man dies, two friends in coma after taking dental medication, Howard Stern comments on reported $120M payday. Post was not sent - check your email addresses! ACTION (Spoken) Lemme tell it to the world! In a comment to this post, she writes: I am specifically critical of attempts to centre critical theory on analyses of intersubjectivity – and of the tendency to equate “the social” with “the intersubjective”. As I prepare simultaneously for a dissertation that will be grappling with the rise of self-help, and a post about sex and love, I find myself reading a number of fairly badly written books: How to Win Friends and Influence People, The Seven Habits of Highly Effective People, and The Rules, as well as random web pages about sexuality and dating. In the sciences, the scientific method is certainly intersubjective, but also consistent: it is an agreed-upon method for producing uniform and objective results. But however you look at this, it’s hard to call the outcome justice. Without having read the Zizek or caught up on the critical theory blogs (aiiigh, they all post so _much!_) I might add that we should keep an eye on how power works in these encounters. Similarly, essays written by Derrideans that attempt, mid-stream, to partially or wholly deconstruct themselves by noting slippages and so forth are not exactly wasting our time, but are nonetheless like the party animal on Facebook who ponies up with a glamorous confession. If a scientist were to write not only a description of her method, but also a full account of the historical, cultural, and personal factors condensed in an experiment, the analytic question would still not disappear. That’s why I’m so bad! What is funny is thinking of you or your erudite ilk reading them, particularly The Rules. Pingback: Roughtheory.org » Quick Reflexes. Now, it just so happens that I, too, prize “intersubjectivity”, or rather the particular techniques of communication, argument, analysis, etc., and the specific institutional forms (e.g. I don’t particularly blame the Jets for behaving the way they do, and neither does West Side Story. have you read Elizabeth Wurtzel’s The Bitch Rules? "Gee, Officer Krupke's" references to religion and morality, evident when its lyrics and choreography are considered in isolation from the playful song and dance, are concealed in a sonorous spoonful of sugar so sweet the audience can't help but smile, bob their heads, and listen. As Derrida remarked of this fact of (con)textuality, that does not in the slightest discredit the notion of intersubjectivity. But they are something new: a spark of conversation, a beginning. Do Not Sell My Personal Information, Your California Privacy Rights Lots of people who strongly oppose radical action are aware of the costs of oppressive economic practice, and can speak volubly about the spread of disease, global warming, shortened life spans, uncontrolled population growth, urban sprawl, collapsing infrastructure, and so on. by displacing responsibility for those actions on to the conditions of one’s existence, etc.). We've received your submission. In other words, if I come to understand what is causing my behavior, I will lose interest in repeating that behavior, and will assert my freedom and distance from the originating event. Each verse culminates with an interjection ("Golly Moses", "Leapin' lizards"), followed by the final line. LS and NP are both incredibly productive, and I don’t know how they do it. And that, to me, is (potentially) problematic, even though communication as such is essentially impossible in the absence of any such appeal. The most humble and honest that we can be, as speakers, is to speak as objectively as possible and to reach the intersubjective on the far shore of that attempt. This story has been shared 170,442 times. Cher Sergent Krupke, vous qui êtes si gentil, Vous devriez pouvoir comprendre C'est notre éducation-ke Qui nous rend hors de contrôle. I hope it doesn’t come across as attacking, etc., which is certainly not my intention. Sitemap –Slavoj Zizek, “Some Politically Incorrect Reflections on Violence in France and Related Matters” (link here). The following two quotes go together so well that it’s surprising they haven’t been previously paired. Thus the critical process of argumentation and change happens intersubjectively. The great thing is that you can download The Pick-Up Artist from iTunes, so I’m not forced to tune in to VH1. Change ), You are commenting using your Google account. The point of the critique of intersubjectivity (or the point at least of my openness to its questioning) is not to dismiss its worth, but to stress its status as an accomplishment and (therefore) as a value (Thus spake Zarathustra: “Evaluation is creation:hear it you creative men!”). The thing is, just as I feel with regard to intersubjectivity, that fact that self-reflexivity can be recognised as having dubious value in certain contexts, that in itself seems to me no reason to doubt the value of self-reflexivity in any and every context. I also love the running caption commentary: if a guy has an awkward part, the caption will immediately read “PRADEEP / Sucks at combing his hair.”. View by: Highest Rated; Most Recent; Oldest First; 0. Others will confess to being “crazy” in order to appear spontaneous or unique. Pingback: the oh zone » Blog Archive » Le weekend, plus waxing on suicide rates, ’90’s supermodels, society sucking: a few of my favorite things, Pingback: Philosophy and Social Change « Now-Times. ACTION There is good! Would you like to receive desktop browser notifications about breaking news and other major stories? including contexts “outside” the university, etc. The song was composed by Stephen Sondheim (lyrics) and Leonard Bernstein (music), and was featured in both the Broadway musical and subsequent 1961 film.[1]. Die melodische Phrase zu "Gee, Officer Krupke", mit der jede neue Strophe des Songs beginnt, verwendet Bearbeiter Paul Murtha hier sehr geschickt, um diesen tollen Song von der Musical- auf die Konzertbühne zu bringen. Choosing resistance that is ultimately a stupid way to resist is a major part of Hebdige’s arguments a la _Subculture of Style_, and a major theoretical/social justice problem. they won’t give me a puff! If I explain exactly what I know, how I came to understand it, and why I wanted to know it in the first place, without once speaking the dead language of the impersonated Other (as the Jets do in their song), then I give my interlocutor the opportunity to be a true partner with me, making observations about the thing and about myself that I could not possibly have reached. Mon Dieu, nous sommes des voyous par nature ! It seems right up your alley. We ain't no delinquents, We're misunderstood. Do Not Sell My Personal Information. A good road map for the discussion is here, at the Rough Theory site. The production of knowledge without any specific expectation of change also happens intersubjectively. (N.B. Change ), You are commenting using your Twitter account. ( Log Out / Privacy Notice ALL There is good, there is good, There is untapped good. I’ll let you know after reading it. Pingback: Some Remarks on Self-Reflexivity and Rough Theory « Larval Subjects . "Gee, Officer Krupke" is a comedy number from the 1957 musical West Side Story. "[citation needed], "Track by Track – OCR: Track 13: 'Gee, Officer Krupke!' “intersubjectivity,” where you recognize my subjectivity and I reciprocally recognize yours, seems to be between equals or between people with similar relationships to power, which the skinheads/Jets do not have in relation to the institutions (police, social workers, judges etc.). 167,632, This story has been shared 130,902 times. Sondheim changed the wording to "Krup you," and now believes it to be the best lyric in the musical.[4][5]. But tha…, I feel like journalism's last gasp will be coughing up more stories about the wildfires that have choked our newspa…. That said, Zizek’s critique of this sort of reflexivity is dead-on, if not exactly original. The episode features a police officer whose name is Krupke, and has Larry David describe the controversy over the name. wonderful post, as usual. Pingback: Roughtheory.org » What Is Radical? — “the most humble and honest that we can” do (who is the “we” in that sentence, by the way? [2][3] Lyrically, the song features four seven-line verses, each filled with puns and wordplay. In a later interview, Russ Tamblyn (who played Riff in the film) remarked that the move was a smart idea. But it seems to me that appeals to intersubjectivity can’t help but function as an attempt to assert a ground without division (a presence prior to diferance) as the basis of thought, argument, knowledge, writing. So I might agree with Zizek that the skinheads have to enact this pointless violence out of the sheer joy of it, or at least in order to remain defined as skinheads. At one point, David is singing the finale of the song and is overheard by others, who think he has said "Fuck you. Gee, Officer Krupke: Disillusionment with Reflexivity August 26, 2007 (x-posted to The Valve) (N.B. In my view, Zizek’s ultimate conclusion, that skinheads cause violence for the sheer joy of it, is a reactionary claim that separates human beings according to the irrational (but either good or bad) sources of their pleasure. What’s at issue here is not the inherent value of intersubjectivity over that of self-reflexivity; it’s the question of what forms of each and in which contexts each might be worth affirming. Now, Judge Jean Boyd said the affluenza defense played no part in her decision to spare Couch jail time and instead sentence him to probation and rehab.
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