";s:4:"text";s:11751:"1852-57), by Gustave Gourbet, brings attention the distinctions and similarities in the approaches each artist took to present these two women’s personalities living in the 18th and 19th century. The scale of both women figures, are fairly similar to human size and their position allows the viewer to get a feel of the uniqueness of each woman’s personality, fashion and style. WorldCat record id: 217299771. On 11 July 1778 she was the original Nancy Lovel in Colman's Suicide. We would welcome any information that adds to and enhances our information and understanding about a particular portrait, sitter or artist. 1790), by Sir Tomas Lawrence, and Madame Aguste Cuoq (ca. She appears to be very graceful, and symmetric in dimension. Your contributions must be polite and with no intention of causing trouble. She had a short sentimental attachment to John Palmer and was admired and followed by Charles Fox. Diary entry dated 17 June 1790. Horace Walpole spoke of her as the most perfect actress he had ever seen, and Mrs. Siddons, on the day of Farren's marriage, commiserated the loss of "our comic muse. Tate Wilkinson credits her with "infinite merit" (Wandering Patentee, iii. Lady Derby was popular among society and considered a leader of fashion alongside the Duchess of Devonshire. The Portrait Of Elizabeth Farren, The Late Countess Of Derby, This formal comparison of two paintings displayed at the Metropolitan Museum of Art, Elizabeth Farren, the Late Countess of Derby (ca. Performances as Lady Townly, and Lady Fanciful in the Provoked Wife restored her to public favour. Elizabeth Farren (c. 1759 – 23 April 1829) was an Irish actress of the late 18th century. Elizabeth (sometimes Eliza) Farren was the daughter of George Farren of Cork, Ireland, a surgeon and apothecary, later an actor, and his wife (née Wright) of Liverpool, the daughter of a publican or brewer. All contributions are moderated. Born in Cork in 1759 her father, George Farren was a surgeon. Richard Cumberland (Memoirs, ii. How do you know this? Sitter in 24 portraits Called the Queen of Comedy by Horace Walpole, Elizabeth Farren was the star of Drury Lane for 20 years until her marriage to the 12th Earl of Derby in 1797. Sitter in 24 portraitsCalled the Queen of Comedy by Horace Walpole, Elizabeth Farren was the star of Drury Lane for 20 years until her marriage to the 12th Earl of Derby in 1797. At a very early age Farren performed at Bath and elsewhere in juvenile parts. Can you tell us more about this person? The expression of her face is calm and innocent, however the eyes give an impression she stands as a strong female figure. We'll need your email address so that we can follow up on the information provided and contact you to let you know when your contribution has been published. The portrait of Elizabeth Farren, The Late Countess of Derby, depicts an older woman of age standing in the middle of a natural outdoor background. 318) says that after her retirement comedy degenerated into farce. If you have information to share please complete the form below. Lawrence, T. Knight, C. Publisher J. She "created" few original parts: Lady Sash in the Camp, assigned to Sheridan, Drury Lane, 15 October 1778; Mrs Sullen in Colman's Separate Maintenance, Drury Lane, 31 August 1779; Cecilia in Miss Lee's Chapter of Accidents, Haymarket, 5 August 1780; Almeida in Pratt's Fair Circassian, 27 November 1781; and the heroines of various comedies and dramas of Mrs. Cowley, Mrs. Inchbald, General Burgoyne, Miles Peter Andrews, and of other writers. Do you have specialist knowledge or a particular interest about any aspect of the portrait or sitter or artist that you can share with us? They had a son and two daughters. If they inspire you please support our work. Prices start at £6 for unframed prints, £25 for framed prints. [Works cited; Memoirs of the Present Countess of Derby, late Miss Farren, by Petronius Arbiter, esq., London, quarto, n.d. (1797); The Testimony of Truth to the Exalted Merit, or a Biographical Sketch of the Countess of Derby, London, quarto, 1797 (a reply to the preceding); John Genest, Account of the English Stage; Monthly Mirror, April 1797; Thespian Dictionary; Tea-Table Talk, by Mrs. Mathews, 1857.]. His drinking habits brought on early death and his widow returned to Liverpool. Search over 215,000 works, 150,000 of which are illustrated from the 16th Century to the present day. Hazlitt speaks of "Miss Farren, with her fine-lady airs and graces, with that elegant turn of her head and motion of her fan and tripping of her tongue" (Criticisms and Dramatic Essays, 1851, p. 49). At the age of fifteen, at Liverpool, she played Rosetta in Love in a Village and subsequently her best known role of Lady Townly in The Provoked Husband by Colley Cibber. In 1774 she was acting with her mother and sisters at Wakefield under Tate Wilkinson's opponent, Whiteley, when she played Columbine and sang. Please Like other favourites! Her cheeks have a natural blush tone color to them. His drinking habits brought on early death and his widow returned to Liverpool. This was a "breeches" part, to which her figure was unsuited, and she was subjected to some satire for shapelessness. Spotted an error, information that is missing (a sitter’s life dates, occupation or family relationships, or a date of portrait for example) or do you know anything that we don't know? If you require information from us, please use our Archive enquiry service. You can buy a print of most illustrated portraits. She had over 100 characters in her repertoire, including Berinthia in Sheridan's Trip to Scarborough, Belinda in Murphy's All in the Wrong, Angelica in Love for Love, Elvira in Spanish Friar, Hermione in the Winter's Tale, Olivia in Twelfth Night, Portia, Lydia Languish, Millamant in The Way of the World, Statira, Juliet, and Lady Betty Modish. Elizabeth Farren Later Countess of Derby 1790 - Rosa Bonheur - WikiGallery.org, the largest gallery in the world: wikigallery - the largest virtaul gallery in the world with more than 150,000 on … Elizabeth Smith-Stanley, Countess of Derby (née Hamilton; 26 January 1753 – 14 March 1797) was an English peeress.As the eligible eldest daughter of the 6th Duke of Hamilton, she married the 12th Earl of Derby in 1774, giving birth to three children. Born in Cork in 1759 her father, George Farren was a surgeon. Elizabeth (née Farren), Countess of Derby, by Anne Seymour Damer (née Conway)marble bust, circa 1788NPG 4469, 'A scene in the Fair Circassian' (Robert Bensley; Elizabeth (née Farren), Countess of Derby), Elizabeth (née Farren), Countess of Derby; Thomas King as Lady Emily and Sir Clement in Burgoyne's 'The Heiress', by and published by John Jones, after John Downmanstipple engraving, published 1 May 1787NPG D35135, by and published by John Jones, after John Downmanstipple engraving, published 1 May 1787NPG D35136, English Slavery; or, a Picture of the Times, probably by Frederick George Byronetching, published 1788NPG D9305, by Joseph Collyer the Younger, published by M. Lawson, after John Downmanstipple engraving printed in colours, published 1788NPG D35131, by John Jones, after and published by James Roberts, after Anne Seymour Damer (née Conway)stipple engraving, published 31 March 1789NPG D35132, 'A peep behind the curtain at the Widow Belmour', by James Sayersetching, December 1790NPG D9543, after Sir Thomas Lawrencehand-coloured stipple engraving, (1790)NPG D15616, by Francesco Bartolozzi, published by Bull & Jeffryes, after Sir Thomas Lawrencestipple engraving, published 1 January 1792NPG D35133, by Francesco Bartolozzi, published by Bull & Jeffryes, after Sir Thomas Lawrencestipple engraving, published 1 January 1792NPG D17080, 'Derby & Joan or the platonic lovers, a farce' (Elizabeth, Countess of Derby; Edward Smith Stanley, 12th Earl of Derby), by and published by Robert Dightonhand-coloured etching, published 6 November 1795NPG D9306, 'A peep at Christies; - or - tally-ho, and his Nimeny-pimmeney taking the morning lounge', by James Gillray, published by Hannah Humphreyhand-coloured etching, engraving and aquatint, published 24 September 1796NPG D12577, by William Ridley, published by Thomas Bellamystipple engraving, published 1 December 1796NPG D14993, by James Gillray, published by Hannah Humphreyhand-coloured etching and aquatint, published 20 March 1797NPG D9307, by James Gillray, published by Hannah Humphreyhand-coloured etching and aquatint, published 20 March 1797NPG D12604, by James Gillray, published by Hannah Humphreyhand-coloured etching and aquatint, published 3 May 1797NPG D12612, by James Gillray, published by Hannah Humphreyhand-coloured etching, engraving and aquatint, published 18 May 1797NPG D12613, by Isaac Cruikshank, published by Samuel William Foreshand-coloured etching, published 20 May 1797NPG D15555, by Francesco Bartolozzi, published by John Peter Thompson, after Sir Thomas Lawrencestipple engraving, published 26 March 1803NPG D35134, 'L'assemblée nationale: - or - grand cooperation meeting at St Ann's Hill', by James Gillray, published by Hannah Humphreyhand-coloured etching, published 18 June 1804NPG D13107, probably by William Derby, after Stevenson, after Sir Thomas Lawrencepencil, circa 1835-1842 (1790)NPG D23125, by Joseph Collyer the Younger, after John Downmanstipple engraving, published 1788 (1787)NPG D19405. 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